![]() To put a finer point on it, I would be just ecstatic to buy the MRCC instead of a second and likely third multiclock which I would pick up just for this clock functionality (and certainly not for anything else it does). VST, AU and AAX plugins for all major DAWs are provided, or you create your own sync loop with our sample. No drifting involved, everything on the grid. Please consider a clock offset feature like the multiclock's. Synchronisation of the multiclock to a DAW relies on a sample accurate audio clock stream, which in consequence guarantees absolutely tight clock signals with 1 sample of jitter. Also, there is a ready-to-use MIDI clip to. I hardly care about the other things the multiclock does, like prioritizing clock messages over other midi messages, allowing for clock division of or shuffle introduced to the midi clock outputs, or the transport controls for each midi output. Please find the sync sample to generate your own sync tracks here: Click Sample (zip). Synchronization to a DAW relies on a sample accurate. ![]() ![]() It seems like this could be more difficult or impossible to achieve on the hardware you've designed as others have pointed out. The multiclock can be its own master or synced to external MIDI, DIN sync or Analogue master clocks. E-rm advertises +/-1 sample jitter at 48khz when syncing multiclock this way. Their plugin makes it really easy, but really only a DAC is needed to make the pulses. The multiclock can be it’s own master or synced to external MIDI, DIN sync or Analogue master clocks. The other part of how the multiclock achieves superior sync is that it can sync to a sync signal generated by an audio interface (DAC) originating from a DAW. The Process We began by syncing each drum machine to the ERM Multiclock, one of the most sample accurate MIDI, DIN, and Pulse clocks out there (yes, it beats the Innerclock). For example, one MIDI output can be connected to an E-mu SP-1200 with -0.5 ms offset, and another can be connected to an Akai MPC-3000 with the clock delayed 2.1 ms, allowing the sequencers to be actually in sync with each other and a DAW, as opposed to having phasing issues. That is, you can offset the clock signals that are being sent out by 1/10th of 1 ms offsets. Synchronisation of the E-RM MultiClock USB to a DAW relies on a sample accurate audio clock, which allows for rock solid sync signals. To control your DAW accurately my advice is the Faderport. I created an account to say that I would also buy one of these if it did the basic MIDI clock offset functionality of the E-RM multiclock. To control all synths with MIDI signals with synced BPM the ERM Multiclock is your best friend.
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